The phono preamp is a nice touch, although we're sure we're not alone in thinking it would have been more than handy to have two - something for the Mbox 3? No matter throw in the Pro Tools LE software - plus a pair of MIDI sockets on the back panel - and you have a superb package for anyone looking to upgrade their existing Mbox.Īs if you´re starting out on the road of professional-level audio recording, you must check this out. We analyzed user and expert ratings, product age and more factors.
The average rating for this product is 3.4/5, compared to an average rating of 4.1/5 for other products in the same category for all reviews. What´s more, the fact that it runs perfectly well from the power supplied by the FireWire bus means it´s ideal for the engineer on the move. alaTest has collected and analyzed 20 reviews of Digidesign Mbox 2 Pro Factory. It sounds terrific, just as you´d expect from a company with such a long and revered history. How much of a pain this is depends on how often you run high sample rate sessions that require an external clock.Īpart from the drawback of not being able to use it on the same buss as a FW800 drive, the Mbox Pro 2 is an outstanding audio interface. Speaking of which, although the unit supports the use of higher sample rates (up to 96kHz), and is happy to output a clock signal up to that rate, it won´t accept clock rates higher than 48kHz at its word clock input (or S/PDIF input). With a fully charged (and FireWire-equipped) laptop and an Mbox Pro 2 you´re able to record high-quality audio anywhere you like. This effectively means that the unit is ready for recording on the move straight out of the box. We were expecting to have to use the supplied power supply to top-up the current, but we were wrong. We had no trouble running the 48V phantom power facility on the Mbox 2 Pro when it was connected to our MacBook. The headphone outputs are loud, and we preferred the sound of them to the headphone output on our Apogee MiniDAC, which was quite a surprise. This is a godsend for users who are used to sharing one mix while recording. This means you can set up a separate mix for your vocalist while you´re monitoring using the regular output mix. The first is hardwired to the monitor outputs, but the second can be configured to give you outputs 3-4 at the press of a switch. One of the handiest features of the Mbox Pro 2 is the provision of two headphone sockets on the front panel. One thing to watch out for, though, is that it won´t work correctly on a FW800 buss - the Mbox Pro 2 is rated for FW400 only. ($799 MSRP FireWire interface handled everything we threw at it, including six outgoing audio streams at 96kHz.
Digidesign mbox 2 pro review drivers#
ASIO, WaveDriver, and CoreAudio drivers guarantee that the Pro will work with just about every audio application, but of course, it comes with ProTools LE 7.3 (Tape Op #57) as well as over 50 plug-ins, applications, and virtual instruments (same as the other Mbox 2 bundles). The unit is built well, and disagreeing with Dana Gumbiner, who was unhappy with the shape of the knobs when he reviewed the Mbox 2, I like the knobs and switches because they aren't likely to break off when you throw the sucker into your backpack. Unfortunately, external sync to the WC input is only available at 44.1 and 48 kHz rates. Moreover, the Pro is the only one in its line that supports 96 kHz operation. Compared to the Mini (I didn't have an original Mbox 2 to compare), the Pro has better sounding mic preamps, less roll-off on the DIs, and headphone amps with lower noise and higher volume. Furthermore, the quality of analog I/O has been upgraded for the Pro. The rest of the Mbox 2 line seems geared toward folks who are recording themselves, but the Pro stands out for having features that allow an engineer to record one or more musicians while monitoring a mix that's different from the artists' cue mix. There are two headphone jacks each has its own volume knob, and the second jack can monitor Line Out 1/2 or 3/4. Used in conjunction with the S/PDIF digital I/O, you can record up to six inputs at a time and play through eight outputs simultaneously. Of the six analog outputs, Line Outs 1-4 are on TRS, and Line Outs 5/6 are on a single stereo TRS. Additionally, the stereo Aux In is switchable between a pair of TRS line jacks or RCA connectors that feed an internal phono preamp. Inputs 1 and 2 can be individually switched between rear-panel Neutrik Combo (XLR/TRS) mic/line ins and front-panel 1/4" DIs. Tape Op #51 and #57 for reviews of the Mbox 2 and Mbox 2 Mini), the Pro connects to the host via FireWire instead of USB, it supports 88.2 and 96 kHz sample rates, and it features expanded I/O. Unlike the other Mbox 2 interfaces for Pro Tools LE (see
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